You can make contact with me and link via various means. There are comment sections on most pages but I do not currently run a mailing list.
Contact Book Sites
Please click to select
Contact – Social Media Sites
Please click to select
Sales Links
See books for individual books links
Apple Books has links to translations and audio books.
A full table of books and links can be found here


Julian Brooks
Hi,
Your novel Semblance of Storms explores the disarray of a writer’s life with compelling intimacy. The chaotic mix of creative pressure, complicated family dynamics, and tempestuous relationships set against literal storms builds a sharp, moody atmosphere. There’s something magnetic in how you parallel external hurricanes with the protagonist’s internal collapse a dynamic that will speak to readers who appreciate fiction layered with emotional weather and personal unraveling.
I came across your book on Reedsy Discovery and after evaluating its Amazon performance, I can confidently say there’s strong marketing potential here. I see real opportunity in aligning this story with the right audience by placing it on high-traffic Goodreads Listopia lists curated for literary fiction about writers, emotional domestic drama, and creative crises, refining your Amazon categories and keywords to attract readers drawn to stories of artistic pressure and vulnerability, and developing visual assets like striking mockups and a cinematic trailer that reflect the tension between control and collapse.
I also offer a One-Line Blurb Transformer to sharpen the emotional pitch of your storefronts, a Narrated Flipbook Sampler that captures the novel’s reflective tone, and a Bestseller Algorithm Spike designed to push momentum through strategic discovery channels.
There’s a lot here that resonates deeply with readers drawn to quiet intensity and complex relationships. Looking forward to knowing your thought about this!
Warm regards
Julian Brooks
julianauthorconsulting@gmail.com
Philip G Henley
Many thanks for your message and kind words about Semblance. Marketing continues to be a no win solution. Costs way exceeding any benefit. Thank you for your interest but I have never seen any ROI for any marketing campaign on any platform.
Yomith
Hi,
If you’re looking to get your book seen by more readers, without wasting time or money, I’d love to help.
I’m Yomith by name, I partner with Reedsy Discovery and I help authors like you stand out, get discovered, and sell more on Reedsy and across other listings with three powerful tools:
– Reedsy Discovery Visibility Boost: A targeted approach to increasing your traction on Reedsy Discovery, helping you attract more upvotes, reviews, and early reader engagement.
– Kindle Visibility Boost: Optimizes your Amazon presence with smart keyword targeting, category tuning, and page enhancements that help convert browsers into buyers.
– AMI (Author Market Insight): Custom research that pinpoints exactly where your ideal readers are, and how to reach them, so your outreach is focused and effective.
These aren’t one-size-fits-all tactics, they’re tailored to your book, your audience, and your goals.
Would you be open to a quick chat to explore if this could be a good fit for you?
Philip G Henley
Hello Yomith. Thank you for your message. I have tried Reedsy. No success the same as all the other platforms that promise lots, take money and deliver nothing. Everyone making money from authors except the authors.
Mary Ann
Hello Philip,
My name is Mary Ann, and I’m an audiobook narrator specializing in immersive, performance-driven storytelling that brings emotionally rich and suspenseful stories to life through audio.
I recently came across Contador, and I was immediately intrigued by its mystery-driven atmosphere and sense of suspense. Stories that combine tension, intrigue, and complex characters have a unique ability to captivate listeners, and Contador feels like the kind of narrative that could translate especially well into an engaging audiobook experience.
My narration approach focuses on emotional authenticity, cinematic pacing, character depth, and listener immersion, particularly for stories built around mystery, suspense, and psychological tension. I also provide broadcast-quality, platform-ready audio suitable for professional audiobook distribution.
I wanted to reach out because your novel feels like the kind of story listeners would enjoy experiencing through audio, where the atmosphere, unfolding revelations, and emotional undercurrents can create a powerful connection with the audience, and I’d love to know if audiobook narration is something you’ve ever considered for it.
How do you imagine the suspense and mystery of Contador unfolding for listeners through audiobook storytelling?
Warm Regards,
Mary Ann
Philip G Henley
Hello Mary Ann. Thanks for your interest. I produce audio books via the ACX platform. Auditions etc should be completed there. This is a Spanish version. The English version has already been completed.
Elijah King
Hi Philip G Henley
I hope this message finds you well.
My name is Elijah King, Literary Assistant at P. English Literature (PEL) a global literary media and arts organization established in 2020, based in Leeds, United Kingdom.
We spotlight authors whose works deserve wider visibility, and your writing stood out to us.
To date, PEL has:
* Interviewed over 1000+ authors globally
* Featured over 1500+ literature and artworks
* Hosted conversations across fiction, theatre arts, nonfiction, music, poetry, and academic literature
* Distributed interviews via YouTube. And organized book club meetings and festivals.
Our founder and host, Peter Okonkwo, is an internationally recognized writer and journalist interviewer whose work has been recognised and endorsed by the Arts Council England (ACE) and Bristol’s Black South West Network.
We would love to invite you to appear on our June Author Interview Series, where you’ll discuss:
* Your book(s)
* Your writing journey
* Themes, inspiration, and impact.
What you get:
* A professionally hosted Zoom interview (in person if you are based in England)
* Multi-platform audio & video distribution
* SEO-optimized promotion to reach new readers
* Long-term discoverability (not a one-time post). You can access our previous interviews via this link: https://youtube.com/@p.englishliterature
Please note: This is a promotional interview, and there is a $59 appearance fee, which covers production, and editing costs. There is absolutely no obligation to participate.
If this sounds like something you’d enjoy, simply reply “Interested”, and we’ll send you the official invitation and scheduling form.
If not, feel free to reply Not Interested, or Cancellation if you have received this invitation before, and we’ll respect your decision.
Thank you for your time and for contributing meaningfully to the literary world.
Warm regards,
Elijah King
Literary Assistant | P. English Literature
Tel: +447514761519
Philip G Henley
Not interested
Sienna Garcia
Dear Philip G. Henley,
Some crime novels are about catching criminals. The most compelling ones are about what happens when the criminal wins.
Declan Williams has survived investigations, rivals, betrayals, and relentless police pressure. He has risen from suspect to kingmaker, a man whose influence stretches from Ibiza and Barcelona to London, Los Angeles, and deep into the forests of Colombia. Yet the higher he climbs, the more dangerous the fall becomes.
What makes this story immediately compelling is that it understands a truth at the heart of organized crime fiction. Power is never secure. Every victory creates a new vulnerability. Every alliance creates a new threat. Every problem solved generates two more waiting in the shadows.
The cartel’s operation continues to expand, but so do the forces working against it. Corrupt officers become liabilities. Former enemies become uneasy partners. International law enforcement agencies grow increasingly determined to penetrate the organization. Meanwhile, personal loyalties and emotional entanglements threaten to become just as dangerous as any police investigation.
You have written a crime thriller that thrives on constant pressure. The tension does not come from a single investigation or one looming threat. It comes from the reality that Declan’s world is built on unstable foundations. Violence, money, influence, and fear may create an empire, but they can never guarantee its survival.
What also stands out is the scope of the story. This is not a local crime novel confined to one city or one investigation. It is an international criminal network operating across borders, cultures, and jurisdictions. The movement from Ibiza to Barcelona, London, LA, and Colombia gives the narrative a scale that feels cinematic while maintaining the personal stakes that keep readers invested.
From a marketing perspective, this creates a significant opportunity.
Right now, many readers may discover the book as a traditional crime thriller. That audience is certainly important. But the novel appeals to several distinct reader groups simultaneously.
The organized crime reader fascinated by cartels, criminal enterprises, and power struggles. The international thriller reader who enjoys stories spanning multiple countries and law enforcement agencies. The psychological crime reader drawn to morally complex protagonists operating in shades of gray. And the suspense reader who thrives on betrayal, shifting loyalties, and the constant threat of exposure.
Each of these audiences is looking for something slightly different. Some are captivated by the criminal empire. Some by the cat-and-mouse pursuit between law enforcement and organized crime. Some by the psychological burden of maintaining power in a world where trust is impossible.
What excites me most about the Declan Williams series is that it places readers inside the machinery of power rather than simply observing it from the outside. Readers are not just watching a criminal organization. They are experiencing the difficult decisions, compromises, and consequences that come with controlling one.
Over the years, I have worked with authors whose books sit at the intersection of crime, suspense, and international thriller fiction. My focus is not broad promotion or generic campaigns. It is identifying the specific reader communities most likely to connect with a story and creating the visibility pathways that help them discover it.
As I looked at Declan Williams’ latest journey, several highly specific opportunities stood out to me opportunities connected to the novel’s international scope, cartel dynamics, morally complex protagonist, and cross-over appeal between crime fiction and global thrillers. They are tailored to this series and its readership, not a standard list of marketing services.
If you would be interested, I would be happy to share a few concise ideas on how those opportunities could be developed further.
Professionally,
Sienna Garcia
Book Marketing Specialist
Philip G Henley
Thank you for your message. As always it depends on how much and what is provided for that cost. An indication would be helpful.